Free Shipping on Most U.S. Orders
Easy Returns and Exchanges
Exceptional Customer Support

Free Shipping

Free ground shipping is available to home addresses in the contiguous United States. PO Boxes, Alaska, Hawaii, US Territories (including Puerto Rico), APO/FPO and addresses outside the United States are not eligible for free shipping.

FedEx Shipping

All merchandise except for oversized items (e.g. Flat screen LED TVs over 55" and plasma TVs over 51") advertised on Beachcamera.com are usually shipped via FedEx.

All packages shipped from Beachcamera.com require a signature upon delivery. Please arrange for someone to sign for the delivery if you are unable to do so. We recommend that you provide an email address so that we may keep you informed of the status of your order and send you tracking information. You will be able to track your order online or by phone for an estimated time of arrival. FedEx will attempt to deliver your package three times before returning it to Beachcamera.com

United States Postal Service (USPS) Shipping

Small items such as memory cards may be shipped by the Post Office.

If the destination address is a PO Box or an APO/FPO, we will ship your order via USPS since FedEx is unable to deliver to those destinations. We will provide tracking information via email after your order has shipped. Items delivered to a PO Box or an APO/FPO will be delivered in 7 - 10 business days. Final delivery for APO/FPO destinations will be subject to the Terms and Conditions of the APO/FPO services. Not all items can be shipped via USPS. Some items that are shipped via USPS may be subject to an additional shipping charge. If necessary, Beachcamera.com will contact you before the order is processed.

Oversized Merchandise Shipping

Oversized merchandise (Flat screen LED TVs over 55", plasma TVs over 51", BBQ Grills & Furniture) are shipped via a motor freight carrier that specializes in Home Delivery. Since these items are large and fragile, special handling is required, and cannot be shipped via our standard shipping options.

We take every precaution during our shipping preparation process to ensure that your order arrives to you in perfect condition. Each item on your order is scanned for accuracy of model and serial number. We apply large orange fragile sticker labels to notify the carrier that your shipment is fragile and requires special handling. The labels also include important step-by-step instructions on how to inspect and sign for your shipment. In addition to the manufacturer's standard foam and corrugated packaging, we also apply a special shock absorption polyethylene material to the outer carton of every TV. This safeguard will disperse energy from impact during transit, and eliminate damage to the product itself. Our professional appointment-based delivery service allows you to open and inspect your new TV prior to signing and accepting the TV. When you purchase a TV at Beachcamera.com, you can be sure that it will arrive perfect working order, and will remain that way for a long time to come.

Non-Deliverable Addresses

We are unable to delivery to the following addresses:

- Mail box drop off locations
- Hotels and motels
- Trade Shows, Conventions, Conferences

Standard Return Policy

We want you to love the items you purchase from Beachcamera.com. If you are not satisfied with your purchase for any reason, you may return items for a full refund within 45 days, subject to the conditions below.

- Returned merchandise must be in original condition and include all factory packed accessories and paperwork (e.g. battery, charger, cords, straps, unmarked warranty card, manuals, etc.), in the original manufacturer box and packaging with UPC, barcode, and serial number intact.

- Incomplete returns will receive a reduced credit, reflecting any missing peripherals.

- The product serial number must match the serial number in our database. Beachcamera.com maintains serial number tracking.

- We require that all approved returns of computers, tablets, and similar devices have the password removed or restored to the system default.

- Return merchandise must be double-boxed with no writing on the manufacturer's box. Your Return Authorization number should be prominently displayed on the outside of the shipping box.

You must contact our customer service department to arrange a return. All returns must be shipped to the following address:

BTC Beach Camera Returns
80 Carter Drive
Edison, NJ 08817

You must include the RA number issued to you by customer service, please be sure to write this number clearly on the return box.

Please be sure to save the shipment tracking number for your return. Merchandise lost or damaged during shipping is the shipper's responsibility.

Televisions over 65" must be returned via one of our Home Delivery Partners. Please contact us to schedule a pickup for your large TV return.

If your return is not the result of our error, the return shipping costs are the responsibility of the customer.

Television Returns

Buyer's Remorse for TVs in Brand New condition:
If you are not 100% satisfied with your TV purchase, you may return it within 30 days from delivery for a full refund, less return shipping fees. Please note that a 15% restocking fee may apply. All returned TVs must be in their original box and include all packing material, manuals, and accessories.

Damages:
We're here to help!
For Common Deliveries (FedEx, UPS):
Please inspect the TV and report any damages (e.g. cracked screen, scratches, dents, etc.) within 2 days by contacting us at 1.800.572.3224

For Special Handling/Freight deliveries:
Please open and inspect the TV prior to signing for it. If the TV is cracked or damaged, please refuse delivery and contact us immediately at 1.800.572.3224 .

Please note damage claims will be denied for the following:

- TVs with over 60 minutes of recorded usage
- TVs that have been moved from the original delivery address

All damage claims must be made within two (2) days of delivery. We will issue a refund and cover all shipping costs.

Manufacturer Defects:
Your TV is fully covered under your in-home one year Manufacturer's Warranty service. If any further assistance is needed, please contact us. *Open-Box units are covered under our in-house 90 day warranty.

Drones Returns

All defects can be handled under the manufacturer's warranty. For DJI brand drones, call DJI at 818-235-0789 and obtain a case number for the defect prior to requesting an RMA. Please note only Dead on Arrival units out of the box will be returnable to us (with a valid case number). DJI will NOT authorize any returns to us if there are any signs of use like dirt, grass stains, nicks or any signs of use. For these situations, the Return Authorization would need to be handled directly between the customer & DJI

Exceptions
  • Mattresses
  • Opened or Downloadable Software
  • Consumables, including batteries, paper and ink
  • Opened packages of Apparel, Bedding or Linens
  • Used Cookwear and BBQ Grills
  • Personal Body Massagers/Shavers
  • Special order items
  • Refunds

Refunds for returns are applied to the payment method used at the time of purchase. Once we receive and inspect the product we will credit your account. Please allow 5-7 business days for a credit to appear on your account.

Product Exchanges

If you purchased a product from Beachcamera.com that you wish to exchange for an alternative, you can return the item for a full refund and simply place a new order for the item you desire. A refund credit cannot be applied to a new purchase.

Defective Items

An item that was discovered to be defective upon receipt can be replaced or returned for a full refund.

Damage or Missing Items

Claims for items damaged in transit or missing items must be received within two business days of receipt of the shipment.

Replacement

We will send a product replacement after the authorized return has completed our receiving/inspection process. The replacement will ship within four business days following the receipt of your return. Please allow for additional processing time after holidays.

Although it is our goal to ship a replacement as quickly as possible, a replacement cannot be shipped before we receive and inspect the return. To receive a replacement more quickly, you may place a new order for the same item (shipping not included) and we will issue a refund for the full value of the returned product (including shipping) upon completion of our return process.

Contact Us

+1 (800) 572-3224

Customerservice@beachcamera.com

80 Carter Drive, Edison, NJ 08817

Product Details


Alpha 7S III with pro movie/still capability

Designed for professionals, the α7S III builds on the strengths of the S series, such as high sensitivity and wide dynamic range, while providing pro features like enhanced AF, optical image stabilization and 4K 120p1 recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.
Alpha 7S III with pro movie/still capability

New image sensor with double the readout speed

The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels2, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

New image-processing engine with up to 8x the processing performance

The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimizing latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The full-frame 12.1-megapixel3 configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimizing the output signal from the sensor. The standard ISO range is 80–102400, which is further expandable to 40–409600 (80–409600 for movies). The dynamic range is an impressively wide 15 stops4, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

Full-frame 4K recording at 120p1

Full-frame 4K recording at 120 fps1 with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to 5x slower than real time)5, as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

Recording movies with 10-bit depth and 4:2:2 color sampling

The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 color sampling when using either Long GOP or All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

All-Intra internal recording

In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording6 for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600 Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing. [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures.

HEVC codec with high compression efficiency

Available for the first time, XAVC HS-format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes7.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and color spaces.

S-Log2 and S-Log3 with 10 bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15 stops4. Three color gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colors of footage shot with Sony's professional cinema cameras. Because the colors match, color grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

Proxy recording for more efficient editing workflow

When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)8.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (color grading required)  [2] Instant high-quality image (color grading not required).

Enhanced movie image quality

Thanks to the improved capabilities of the α7S III's new image-processing engine, colors and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

Fast Hybrid AF for dependable focus during movie shooting

Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customizable button.

AF support in manual-focus mode

The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

Game-changing tracking features to revolutionize movie shooting

Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on color, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

Active Mode optical image stabilization for handheld shooting1

Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video9. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system. [1] Track of camera shake  [2] Standard  [3] Active.

Enhanced audio quality

A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

New heat-dissipation design for extended recording times

The camera's design has been optimized to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilization unit, allowing the sensor to dissipate heat five times more effectively than in previous models10, while allowing it to move freely and avoiding interference with the stabilization system.

Designed for smooth movie-making

Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot2 LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

Dedicated settings menu for movie shooting

A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

Fast Hybrid AF for still shots

The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-611, for accurate focus even when the subject would be difficult to see clearly with the naked eye.

High-speed continuous shooting performance

Mechanical and electronic shutters are each capable of continuous shooting at up to 10 fps12 with AF/AE. Continuous shooting of over 1,000 uncompressed RAW images is possible13 thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

Enhanced image quality for stills

The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of color and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added14.

Creative Look feature to set the mood and atmosphere

The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and color saturation. Ten Creative Look presets are available in-camera, and each of these can be used as-is, or further customized using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

Two CFexpress Type A-compatible media slots

The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

High-definition 9.44 million-dot2 electronic viewfinder

Boasting the highest resolution in its class15, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification16, a 41 diagonal field of view, and a 25-mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

New touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Reliable, durable construction

To maximize dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

USB Power Delivery

The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery17. PD-compatible18 USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate10 of conventional power supplies.

Data communications to support on-site workflow

Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5 GHz19/2.4 GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

External flash control from the camera body

It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

Imaging Edge Desktop

Elevate your photography with Imaging Edge Desktop applications. Use 'Remote' to control and monitor shooting live on your PC screen; 'Viewer'20 to quickly preview, rate, and select photos from large image libraries; and 'Edit' to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently21.

Capture One for Sony

Capture One Express (for Sony)22 is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

S-Cinetone from high-end cinema camera color science

The inclusion of Sony's acclaimed S-Cinetone23 look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

Works with iMovie and Final Cut Pro X

This product is compatible with Final Cut Pro X and iMovie.24.

Overall:

(500 reviews)

Read More Reviews